Brent Knopf has accrued a lot of overtime at his job. At least from my point of view… I’m thinking about how many hours a week I spend at the office (I’m paid hourly, they cap me at 40). So when I consider doubling my workweek, besides feeling exhausted, I feel amazed to hear Knopf assert in a recent OregonLive article that he spends 80 hours a week or more working on band projects. Even for a prolific and devoted artist, that level of involvement and intense dedication has the potential to result in a serious case of burnout. Apparently not so for Knopf. As one-third of Portland based Menomena, several years ago he decided to branch out with Ramona Falls (because one band is just never enough), a new side project he named after a waterfall near Mt. Hood. Now releasing their second album Prophet, the band is nearing the end of this summer’s West Coast run and will be hitting the road again soon after for […]
Horse Feathers is an indie/folk band born in Portland Oregon with a smooth and elegant sound. Their albums could be strictly instrumental, stripped of vocals, and still be just as enjoyable. With spring upon us, their 2010 release Thistled Spring comes to mind. If I had to choose a soundtrack for the season this would be an excellent choice. The pianos and strings paired with Justin Ringle’s haunting voice in the title track remind me of the changing seasons. And that’s what Horse Feathers does for me, their music paints a picture and instills me with emotion. Their newest release “Cynic’s New Year” is a bit more upbeat than some of their previous work, but is just as melodic and layered. The track “Fit Against the Country” (listen here) is perhaps my favorite, with lyrics like “Nearly every day, we earn a lower wage/ To tell you what we’re made of, or a wage is what we’re paid/ It’s a hard country we’ve made.”, Ringle sings words of […]
With SXSW happening but once a year, flocks of musicians and bands make their trek to Austin, Texas for the one-off chance of making an impact on the thousands in attendance. Once such act; La Vida Boheme who hails from Caracas, Venezuela made that impact at this year’s SXSW music festival two weeks ago. Being dubbed as the next big thing in the Rock En Espanol movement with influences ranging from 80’s punk to Electronic Dance music, La Vida Boheme tore through their set at The Parish dressed all in white with blue and green paint splattered all over them. Their latest release “Nuestra” on Nacional Records, received two Latin Grammy nominations for best rock album as well as one for best rock song for “Radio Capital”. Led by singer Henry D’Anthenay, these guys are making people take notice not only for their eclectic shows but also as a staying powerhouse in Latin music. NPR Music put out their “Possibly Life-Changing Music Discoveries from SXSW 2012” and La Vida […]
Exciting news from the PlayLive Mainstage… we are gearing up for not one, but TWO excellent performances this week. We will be vacating our desks today and Tuesday to party with The Front Bottoms and Lost in the Trees. Man, work is such a bummer sometimes isn’t it?
THE FRONT BOTTOMS – Monday, March 26th
“We kinda thought we were a punk band but then we’d play on bills with real punk bands and we’d be like ‘Whoa, were not punks. What the hell are we?” – The Front Bottoms
With that quote from The Front Bottom’s drummer Mathew Uychich, it’s pretty clear that his band is simultaneously defying labels while searching for a defining identity. The fact that Mathew is also listed as the band’s official bullhorn player further supports that claim. The Front Bottoms have been tearing up the New Jersey (Bergen County, to be exact) DIY scene for some time now with their catchy brand of pop-punk. Their songs are irreverent, playful and above all thoroughly […]
We’ve all been there. Anyone who has ever been in a band or involved in another form of live entertainment can tell you about “that one time” it all completely fell apart. Get on stage enough and you’re gonna screw it up bad sooner or later. Some have horror stories about bombing in front of hundreds of people, others will never forget the humiliation of playing to an empty room (I don’t mean that figuratively, I mean it was just you and the bartender, and he was out having a smoke for most of your set). And then there are the times when your equipment failed, or you forgot to bring the hard drive that had all of your beats and samples to the gig, or your drummer got wasted and passed out on stage after the second song. It’s all been done before, but that doesn’t make it any less painful when it happens to you. The only consolation is when it’s finally over and you think, “At […]
Today we’re excited to welcome internationally acclaimed musician Paul Kelly as our next PlayLive guest!
Paul Kelly has recorded seventeen studio albums as well as several film soundtracks and live albums, in an influential career spanning more than thirty years.
Also a celebrated author, his memoir, How to Make Gravy, (born of a 2004, 4-night concert series in which he recanted stories in-between the 100 songs he performed) was short-listed for the Prime Minister’s Literary Award in the non-fiction category in May of 2011, and in July it was named co-winner of ‘Biography of the Year’ at the Australian Book Industry Awards.
Blake Kirpes, Associate Music Supervisor PlayNetwork
Seeing U2’s monumental 360 tour in Seattle last month left me reminiscing for weeks about all the shows that came before and the evolution of the stadium concert experience. My first arena show was in the early 80s when I was lucky enough to catch Def Leppard at the Oakland Coliseum on their Pyromania tour. My friend’s parents dropped us off on their way to see Harry Belafonte (I kid you not!). We waved goodbye to their station wagon and exchanged a “I can’t believe they actually let us come” look. Then we were off on our slow walk to the entrance, passing guys with long hair, chicks in spikey boots, Camaros blasting “F-f-f-foolin!” and vendors hawking bootleg cassettes and t-shirts. Once inside the arena, the collective vibration was staggering as we enjoyed a four hour rock and laser extravaganza, featuring opening band Uriah Heep and ended with Joe “waterfall-mullet” Elliot taking off his Union Jack shirt to reveal one with an American flag during the encore. If this […]